
Note: I asked my brother, a patron of the Saw films, who also saw the film how the violence compared. His response “It was like Sesame Street”. I suppose if you want to kill “Tickle Me Elmo” (and who of us hasn’t?) that would be a true description.
Recently I went to go see a new movie called “Untraceable”. But I had many qualms about it before hand due to the reviews it received it the papers I read. The Detroit Free Press called it “torture porn”, The Detroit News called it “torture porn” and The New York Times called it (surprise) “torture porn”. Leave it to members of the media to turn anything into porn. The movie plotline is that a killer is streaming video of the killings on his website, with the FBI close on his heels. I wondered if I were to see this film, was I no better than the people clicking on his fictitious site? And really how violent was the movie? The MPAA gave the movie an R rating for ” some prolonged sequences of strong gruesome violence and language”. That sounded bad. But on the other hand the film had an awesome preview and starred two of my favorite actors Diane Lane and Colin Hanks (son of Tom).
Finally I decided to go see it with the understanding that if it got too violent, I would walk out. But then something interesting happened. The film was if anything underwhelming with the sort of “hype” it received by the reviews. Something I was extremely happy for. There’s something about graphic violence that makes me get a little queasy (morally). But then with my over analytical mindset, I grew concerned again. Had I become so desynthesized by the media that watching a few brief (very brief) scenes in which someone dies didn’t bother me? Yes and no.
I don’t watch films fake snuff films like “Saw” and “Hostel” or anything in which mutated aliens eat everyone like “The Hills Have Eyes”. I like mysteries, grew up reading Agatha Christie progressed into Grisham and then finally to books like Patterson (a step backwards). My personal tastes are much more light like Christie and detail orientated like Grisham. But ultimately what really matters is whether or not in a fictitious story, book or film, is whether the focus is on the killing or on catching the killer, and Untraceable while many will disagree, belongs with the later category. But to the whole question of being desynthesized, the film was no worse than an episode of CSI, the number one show enjoyed by millions of Americans across this country. Does that make them sick? No. Crime is by itself fascinating, fraught with so many pieces that for many of us, it captures our attention a real life version of a jigsaw puzzle.
What really is disturbing is my daily copy of The New York Times, though not for the usual Republican reasons. What the Times does is actually give coverage to world events that barely make a few sentences in most of the daily papers that most of us read, if the stories get mentioned at all. Seeing the actual pictures of a victim of a suicide bombing, a child whose face though covered has been killed by ethnic fighters, and even in this nation a young black man covered with his own blood by gang violence and his own self-destruction.
Everything else seems kind of fake after that. And even a good film like “Untraceable” never gets rid of the feeling that we are watching an actor pretending to get killed by another actor. After you see the absolute devastating effect of humans killing one another, whether by a glimpse in the news or in real life situations, everything else pales in comparison. Somehow though, I doubt the average teenager who while sneaking into see “Saw 5″ (trust me it will be made) cannot name our Secretary of State (sad but true factoid) will leave with that mindset. That’s what scares me.








